Thursday, January 31, 2013

Rossignol Skis for a Great Ski Experience

When it comes to quality products, Rossignol skis can be your best choice. With over 100 years of manufacturing experience, Rossignol continues to be on the top of the list of many people in terms of skiing and snowboarding. Whichever path you take, Rossignol offers a wide variety of ski and ski gear options.

Aside from being reputable when it comes to quality, Rossignol also boast fashionable designs. If you are into stylish skis, take advantage of the skis offered by the company as they are designed by some fashion icons like Jean-Charles de Castelbajac and Emilio Pucci. While you take pleasures from the good performance of these skis, you can also enjoy skis with signature designs. Just like you, your children can also take advantage of the goodness of these skis through the Bandit Jr. and Bandit Girl. These skis are designed for shorter skiers who are into freestyle skiing. If you are a cross-country skier, settle for the X-lum Classis C1. Such ski possesses lightweight and offers less snow resistance. If you are into versatility, the Hip Chick Telemark is perfect for you. This ski model, which is typically designed for women, possesses a pointed nose feature that allows easy gliding through powder and pack.

For other female skiers, Rossignol in the form of the Alpine Active Passion III can also be enjoyed for a more advanced skiing experience. This ski model comes in good cleaned up surface and medium speed function. The Freeski Exhibition Scratch Girl FS is another great model that female skiers can take advantage of. This Zen-like bamboo model allows you to glide through the air smoothly. Such ski is also perfect for those who aim to have an excellent pipe or park skiing experience.

Rossignol skis have proven their worth through the years, but it is still best to stay safe. In connection, make sure to purchase the bindings recommended for your skis. Make sure to go for the ones recommended by the manufacturer to avoid problems while you ski. Similar principle applies to buying other gears like ski boots. Your ski boots need to be compatible with your ski bindings. It will also be of incredible help if you look for a highly regarded Rossignol dealer in your area. Information about dependable dealers can be found on the official web page of Rossignol. If you want to end up with the one that best suits your taste and style, spend sufficient time visiting the website. Rossignol can be very helpful when it comes to your skiing needs and wants. However, you got to have some honesty in terms of your ability level every time you buy Rossignol products or items, especially skis.

Skiers Rule, Snowboarders Not Welcome - The Alta Ultimatum

In the early 80s, less than 10% of all ski resorts in the USA permitted access to snowboarders. Nowadays, just 4 anti-snowboard resorts remain. As snowboarding entered the main stream - going from a renegade fad to becoming an Olympic sport - resorts across the world have embraced snowboarding customers.

And why not? Skiing was getting stale, and snowboarding was attracting a whole new generation of snow sports enthusiasts who had no previous interest in the two-plank discipline. The more foresightedly ski resorts quickly realized that by promoting snowboarding, and building areas called terrain parks which had specially made jumps, they could reap the financial rewards. It wasn't long before the idea spread to other resorts and people realized that rather than being a fad to be shunned, snowboarding was a cash cow waiting to be milked.

But Alta, a renowned ski resort in Utah's Salt Lake City, remains strongly opposed to the snowboard movement and in doing so, has become a bone of contention in snowboarding circles, yet worshipped by many of the older skier generation, in equal zeal. Snowboarders' opinions vary from bitterness to apathy; some don't care and are happy to take their business elsewhere; yet for others, Alta's reluctance to modernize, represents an almost politically incorrect discrimination, on a par with sexism and racism, and is something which should have been stamped out long ago.

Indeed, the skier-snowboarder rivalry has for the large part disappeared from the slopes of the world. Anyone who has spent extended time skiing or snowboarding can tell you that whatever animosity once existed has long since faded, and the only place the feud still manifests itself is in the pages of tabloid type media which seek to stir up a story whenever a skier and snowboarder have any type of collision on the slope. The truth in these matters is almost always invariably down to fact that one or both were beginners, rather than having anything to do with their chosen snow sport.

No one knows how long the slopes, ski chalets and hotels in Salt Lake City will be waiting for snowboarders to arrive, but for the foreseeable future, Alta is sticking to its snow guns and remains the last line of defence for die-hard skiers, who still pine for the time when the slopes were free of the 'reckless snowboard hoodlum'; the fact that Alta have just brought out a new "no-snowboarders" t-shirt suggests that the two-planks brigade have no plans to change their skiers-only policy any time soon.

Saturday, November 24, 2012

Alpine Skiing Technique: 'Where' Do You Stand?

"Skiing is all about how, when and where you stand... and who you're with" is a self-coined expression that I refer to when skiing with clients and friends. Certainly, there's more to the full experience of alpine skiing, including indelible memories etched by scenery, thrills and mountain air, but this phrase boils it down for me. Skiing technique, "how, when and where you stand", enhances the hill, and like-minded camaraderie, "who you're with", enhances the fun. Overall, skiing is truly out standing...

Alpine skiing is an Act of Dynamic Standing. Skating, side stepping and the Charleston (don't ask!) are intermittent acts at best, whereas standing is what we do 99+ percent of the time when skiing, ignoring the time we spend sitting on chair lifts. Dynamic standing means moving while standing, and comprises balance, posture and timing. To focus the discussion let's zero in on just one aspect, the 'where' of standing. Otherwise, it'll take a whole book (already written!).

Where is 'where'? Is it the middle of the hill, in the trees, in the village, at the bar? These are 'where' in terms of location, but the important 'where' is in terms of sensation, agony of da feet notwithstanding, as sore feet and ill-fitting boots will undo even the most compelled in their efforts to ski with grace and balance. How should my weight feel on the soles of my feet? What should I feel from my boots to know I am balanced? Where do I want to feel the 'center' of my weight, particularly in the fore and aft direction?

There are different schools of thought on this topic. After all, skiing is an individual sport with unique combinations of strength, flexibility and coordination at play. At times, I've been instructed to adjust my 'where' during each turn: to feel the center of my weight towards my forefoot early in the turn and towards my heel late in the turn. I have also had muted discussions with other experts who say they try to avoid any such fore to aft shift in where their weight is centered. While there's no one 'right way', seeking to understand the rewards and risks of a given approach is part of seeking to understand skiing better. How strong and steady should things feel turn to turn? Should skiing be that age-old tongue-in-cheek prescription 'a continuum of controlled falls and recoveries'? Should we teach for strong and steady, or teach a (potentially disruptive) fore to aft balance shift with each turn?

I go with simplicity on this one. I admit to striving throughout turn and transition for a steady and unchanging fore-aft weight distribution along the soles of my feet. Maybe I'm lazy, but I find it easier to both do and teach this approach, provided that my students can actually feel their feet, but that's another whole topic!

My goal is to feel my weight 50:50 on the balls and heels of my feet, and pressure from my boot cuffs steady at 50:50 on my shins and calves. Balancing with an even and steady weight distribution along the soles of my feet tells me that I am centered. Furthermore, having my weight engaged along the full surface area of my feet helps me balance while being rocked by underfoot turbulence as my skis slide over uneven snow. Notably, I try to balance solely on my feet (ahem) and to rely as little as possible on my boots for support.

As I ski turn to turn, the pressure on my feet changes dramatically side-to-side, and my total weight swings between zero and upwards of three times my stationary weight. However, any change in pressure in the fore and aft direction, other than me failing to stay balanced, is due only to bumps and ripples in the snow surface, rather than due to me purposefully pressing into my boot cuffs at some point in the turn cycle. A 'keep-it-centered-and-steady' goal means that any pressure change from my boot cuffs serves as early warning of an impending 'out-of-balance' development. Earlier warning means easier correction. Stiffer boots help in this regard too, plus a centered, athletic stance.

So now you know 'where' I stand.

Alpine Skiing Technique: 'Where' Do You Stand?

"Skiing is all about how, when and where you stand... and who you're with" is a self-coined expression that I refer to when skiing with clients and friends. Certainly, there's more to the full experience of alpine skiing, including indelible memories etched by scenery, thrills and mountain air, but this phrase boils it down for me. Skiing technique, "how, when and where you stand", enhances the hill, and like-minded camaraderie, "who you're with", enhances the fun. Overall, skiing is truly out standing...

Alpine skiing is an Act of Dynamic Standing. Skating, side stepping and the Charleston (don't ask!) are intermittent acts at best, whereas standing is what we do 99+ percent of the time when skiing, ignoring the time we spend sitting on chair lifts. Dynamic standing means moving while standing, and comprises balance, posture and timing. To focus the discussion let's zero in on just one aspect, the 'where' of standing. Otherwise, it'll take a whole book (already written!).

Where is 'where'? Is it the middle of the hill, in the trees, in the village, at the bar? These are 'where' in terms of location, but the important 'where' is in terms of sensation, agony of da feet notwithstanding, as sore feet and ill-fitting boots will undo even the most compelled in their efforts to ski with grace and balance. How should my weight feel on the soles of my feet? What should I feel from my boots to know I am balanced? Where do I want to feel the 'center' of my weight, particularly in the fore and aft direction?

There are different schools of thought on this topic. After all, skiing is an individual sport with unique combinations of strength, flexibility and coordination at play. At times, I've been instructed to adjust my 'where' during each turn: to feel the center of my weight towards my forefoot early in the turn and towards my heel late in the turn. I have also had muted discussions with other experts who say they try to avoid any such fore to aft shift in where their weight is centered. While there's no one 'right way', seeking to understand the rewards and risks of a given approach is part of seeking to understand skiing better. How strong and steady should things feel turn to turn? Should skiing be that age-old tongue-in-cheek prescription 'a continuum of controlled falls and recoveries'? Should we teach for strong and steady, or teach a (potentially disruptive) fore to aft balance shift with each turn?

I go with simplicity on this one. I admit to striving throughout turn and transition for a steady and unchanging fore-aft weight distribution along the soles of my feet. Maybe I'm lazy, but I find it easier to both do and teach this approach, provided that my students can actually feel their feet, but that's another whole topic!

My goal is to feel my weight 50:50 on the balls and heels of my feet, and pressure from my boot cuffs steady at 50:50 on my shins and calves. Balancing with an even and steady weight distribution along the soles of my feet tells me that I am centered. Furthermore, having my weight engaged along the full surface area of my feet helps me balance while being rocked by underfoot turbulence as my skis slide over uneven snow. Notably, I try to balance solely on my feet (ahem) and to rely as little as possible on my boots for support.

As I ski turn to turn, the pressure on my feet changes dramatically side-to-side, and my total weight swings between zero and upwards of three times my stationary weight. However, any change in pressure in the fore and aft direction, other than me failing to stay balanced, is due only to bumps and ripples in the snow surface, rather than due to me purposefully pressing into my boot cuffs at some point in the turn cycle. A 'keep-it-centered-and-steady' goal means that any pressure change from my boot cuffs serves as early warning of an impending 'out-of-balance' development. Earlier warning means easier correction. Stiffer boots help in this regard too, plus a centered, athletic stance.

So now you know 'where' I stand.

Alpine Skiing Technique: 'Where' Do You Stand?

"Skiing is all about how, when and where you stand... and who you're with" is a self-coined expression that I refer to when skiing with clients and friends. Certainly, there's more to the full experience of alpine skiing, including indelible memories etched by scenery, thrills and mountain air, but this phrase boils it down for me. Skiing technique, "how, when and where you stand", enhances the hill, and like-minded camaraderie, "who you're with", enhances the fun. Overall, skiing is truly out standing...

Alpine skiing is an Act of Dynamic Standing. Skating, side stepping and the Charleston (don't ask!) are intermittent acts at best, whereas standing is what we do 99+ percent of the time when skiing, ignoring the time we spend sitting on chair lifts. Dynamic standing means moving while standing, and comprises balance, posture and timing. To focus the discussion let's zero in on just one aspect, the 'where' of standing. Otherwise, it'll take a whole book (already written!).

Where is 'where'? Is it the middle of the hill, in the trees, in the village, at the bar? These are 'where' in terms of location, but the important 'where' is in terms of sensation, agony of da feet notwithstanding, as sore feet and ill-fitting boots will undo even the most compelled in their efforts to ski with grace and balance. How should my weight feel on the soles of my feet? What should I feel from my boots to know I am balanced? Where do I want to feel the 'center' of my weight, particularly in the fore and aft direction?

There are different schools of thought on this topic. After all, skiing is an individual sport with unique combinations of strength, flexibility and coordination at play. At times, I've been instructed to adjust my 'where' during each turn: to feel the center of my weight towards my forefoot early in the turn and towards my heel late in the turn. I have also had muted discussions with other experts who say they try to avoid any such fore to aft shift in where their weight is centered. While there's no one 'right way', seeking to understand the rewards and risks of a given approach is part of seeking to understand skiing better. How strong and steady should things feel turn to turn? Should skiing be that age-old tongue-in-cheek prescription 'a continuum of controlled falls and recoveries'? Should we teach for strong and steady, or teach a (potentially disruptive) fore to aft balance shift with each turn?

I go with simplicity on this one. I admit to striving throughout turn and transition for a steady and unchanging fore-aft weight distribution along the soles of my feet. Maybe I'm lazy, but I find it easier to both do and teach this approach, provided that my students can actually feel their feet, but that's another whole topic!

My goal is to feel my weight 50:50 on the balls and heels of my feet, and pressure from my boot cuffs steady at 50:50 on my shins and calves. Balancing with an even and steady weight distribution along the soles of my feet tells me that I am centered. Furthermore, having my weight engaged along the full surface area of my feet helps me balance while being rocked by underfoot turbulence as my skis slide over uneven snow. Notably, I try to balance solely on my feet (ahem) and to rely as little as possible on my boots for support.

As I ski turn to turn, the pressure on my feet changes dramatically side-to-side, and my total weight swings between zero and upwards of three times my stationary weight. However, any change in pressure in the fore and aft direction, other than me failing to stay balanced, is due only to bumps and ripples in the snow surface, rather than due to me purposefully pressing into my boot cuffs at some point in the turn cycle. A 'keep-it-centered-and-steady' goal means that any pressure change from my boot cuffs serves as early warning of an impending 'out-of-balance' development. Earlier warning means easier correction. Stiffer boots help in this regard too, plus a centered, athletic stance.

So now you know 'where' I stand.

Alpine Skiing Technique: 'Where' Do You Stand?

"Skiing is all about how, when and where you stand... and who you're with" is a self-coined expression that I refer to when skiing with clients and friends. Certainly, there's more to the full experience of alpine skiing, including indelible memories etched by scenery, thrills and mountain air, but this phrase boils it down for me. Skiing technique, "how, when and where you stand", enhances the hill, and like-minded camaraderie, "who you're with", enhances the fun. Overall, skiing is truly out standing...

Alpine skiing is an Act of Dynamic Standing. Skating, side stepping and the Charleston (don't ask!) are intermittent acts at best, whereas standing is what we do 99+ percent of the time when skiing, ignoring the time we spend sitting on chair lifts. Dynamic standing means moving while standing, and comprises balance, posture and timing. To focus the discussion let's zero in on just one aspect, the 'where' of standing. Otherwise, it'll take a whole book (already written!).

Where is 'where'? Is it the middle of the hill, in the trees, in the village, at the bar? These are 'where' in terms of location, but the important 'where' is in terms of sensation, agony of da feet notwithstanding, as sore feet and ill-fitting boots will undo even the most compelled in their efforts to ski with grace and balance. How should my weight feel on the soles of my feet? What should I feel from my boots to know I am balanced? Where do I want to feel the 'center' of my weight, particularly in the fore and aft direction?

There are different schools of thought on this topic. After all, skiing is an individual sport with unique combinations of strength, flexibility and coordination at play. At times, I've been instructed to adjust my 'where' during each turn: to feel the center of my weight towards my forefoot early in the turn and towards my heel late in the turn. I have also had muted discussions with other experts who say they try to avoid any such fore to aft shift in where their weight is centered. While there's no one 'right way', seeking to understand the rewards and risks of a given approach is part of seeking to understand skiing better. How strong and steady should things feel turn to turn? Should skiing be that age-old tongue-in-cheek prescription 'a continuum of controlled falls and recoveries'? Should we teach for strong and steady, or teach a (potentially disruptive) fore to aft balance shift with each turn?

I go with simplicity on this one. I admit to striving throughout turn and transition for a steady and unchanging fore-aft weight distribution along the soles of my feet. Maybe I'm lazy, but I find it easier to both do and teach this approach, provided that my students can actually feel their feet, but that's another whole topic!

My goal is to feel my weight 50:50 on the balls and heels of my feet, and pressure from my boot cuffs steady at 50:50 on my shins and calves. Balancing with an even and steady weight distribution along the soles of my feet tells me that I am centered. Furthermore, having my weight engaged along the full surface area of my feet helps me balance while being rocked by underfoot turbulence as my skis slide over uneven snow. Notably, I try to balance solely on my feet (ahem) and to rely as little as possible on my boots for support.

As I ski turn to turn, the pressure on my feet changes dramatically side-to-side, and my total weight swings between zero and upwards of three times my stationary weight. However, any change in pressure in the fore and aft direction, other than me failing to stay balanced, is due only to bumps and ripples in the snow surface, rather than due to me purposefully pressing into my boot cuffs at some point in the turn cycle. A 'keep-it-centered-and-steady' goal means that any pressure change from my boot cuffs serves as early warning of an impending 'out-of-balance' development. Earlier warning means easier correction. Stiffer boots help in this regard too, plus a centered, athletic stance.

So now you know 'where' I stand.


Twitter Facebook Flickr RSS



Français Deutsch Italiano Português
Español 日本語 한국의 中国简体。